Dead Souls PDF
Dead Souls, first published in 1842, is the great prose classic of Russia. That amazing institution, “the Russian novel,” not only began its career with this unfinished masterpiece by Nikolai Vasil’evich Gogol, but practically all the Russian masterpieces that have come since have grown out of it, like the limbs of a single tree. Dostoieffsky goes so far as to bestow this tribute upon an earlier w...

Nikolai Gogol - Dead Souls

Dead Souls

Nikolai Gogol

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inglês
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Dead Souls, first published in 1842, is the great prose classic of Russia. That amazing institution, “the Russian novel,” not only began its career with this unfinished masterpiece by Nikolai Vasil’evich Gogol, but practically all the Russian masterpieces that have come since have grown out of it, like the limbs of a single tree. Dostoieffsky goes so far as to bestow this tribute upon an earlier work by the same author, a short story entitled The Cloak; this idea has been wittily expressed by another compatriot, who says: “We have all issued out of Gogol’s Cloak.”

The story follows the exploits of Chichikov, a middle-aged gentleman of middling social class and means. Chichikov arrives in a small town and turns on the charm to woo key local officials and landowners. He reveals little about his past, or his purpose, as he sets about carrying out his bizarre and mysterious plan to acquire "dead souls."

The government would tax the landowners based on how many serfs (or "souls") the landowner owned, determined by the census. Censuses in this period were infrequent, so landowners would often be paying taxes on serfs that were no longer living, thus the "dead souls." It is these dead souls, existing on paper only, that Chichikov seeks to purchase from the landlords in the villages he visits; he merely tells the prospective sellers that he has a use for them, and that the sellers would be better off anyway, since selling them would relieve the present owners of a needless tax burden.

Although the townspeople Chichikov comes across are gross caricatures, they are not flat stereotypes by any means. Instead, each is neurotically individual, combining the official failings that Gogol typically satirizes (greed, corruption, paranoia) with a curious set of personal quirks.

Setting off for the surrounding estates, Chichikov at first assumes that the ignorant provincials will be more than eager to give their dead souls up in exchange for a token payment. The task of collecting the rights to dead people proves difficult, however, due to the persistent greed, suspicion, and general distrust of the landowners. He still manages to acquire some 400 souls, swears the sellers to secrecy, and returns to the town to have the transactions recorded legally.

Back in the town, Chichikov continues to be treated like a prince amongst the petty officials, and a celebration is thrown in honour of his purchases. Very suddenly, however, rumours flare up that the serfs he bought are all dead, and that he was planning to elope with the Governor's daughter. In the confusion that ensues, the backwardness of the irrational, gossip-hungry townspeople is most delicately conveyed. Absurd suggestions come to light, such as the possibility that Chichikov is Napoleon in disguise or the notorious vigilante 'Captain Kopeikin'. The now disgraced traveller is immediately ostracized from the company he had been enjoying and has no choice but to flee the town.

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