Notes from Underground PDF
Notes from Underground is an 1864 novel by Fyodor Dostoevsky, and is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue fo...

Fyodor Dostoevsky - Notes from Underground

Notes from Underground

Fyodor Dostoevsky

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Notes from Underground is an 1864 novel by Fyodor Dostoevsky, and is considered by many to be one of the first existentialist novels.
It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form through the Underground Man's diary, and attacks contemporary Russian philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?
The second part of the book is called "Apropos of the Wet Snow" and describes certain events that appear to be destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.

Fyodor Mikhailovich Dostoevsky (11 November 1821 – 9 February 1881), sometimes transliterated Dostoyevsky, was a Russian novelist, short story writer, essayist, journalist and philosopher. Dostoevsky's literary works explore human psychology in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed works include Crime and Punishment (1866), The Idiot (1869), Demons (1872), and The Brothers Karamazov (1880). Dostoevsky's body of work consists of 11 novels, three novellas, 17 short stories, and numerous other works. Many literary critics rate him as one of the greatest psychologists in world literature. His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.


Translated by Constance Garnett

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